A man and a woman are at the center of the scene and are slapping each other with hands full of colored paint. The concept of the performance is the irrational and methodical violence of everyday life that becomes ritual like all forms of domestic violence. A violence which is immortalized by the tracks left on the black canvas. At the end of the performance the man and the woman, the laboratory mice, take off their dirty clothes and nail them to the canvas with a staple gun. Serial violence becomes serialized art. The mundane routine of evil becomes art routine and each time the performance is repeated will produce a new canvas.